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The collection

Catalogue order

Everything in the room.

Listed as hung. Each work carries what it is made of, how large the object would be, and how the plate came to exist.

Works
12
Hands
06
Formats
6 upright · 6 across
Renderer
google/gemini-3-pro-image
Two Bags by Guram Abashvili

MF-001

241 × 88 cm

Guram Abashvili · 1986

Casein tempera on three-year-slaked lime plaster over salvaged cement-board bus-shelter panel, unvarnished

Four Waiting by Guram Abashvili

MF-002

89 × 236 cm

Guram Abashvili · 1991

Casein tempera on three-year-slaked lime plaster over salvaged cement-board bus-shelter panel, hung on its long side, unvarnished

Seventy-Eight Percent by Fumino Ozeki

MF-003

60 × 45 cm

Fumino Ozeki · 2012

Raw urushi lacquer, tin powder, hemp cloth and burnt-clay ground over bentwood cypress; bengara red edge; thumb-polished with tin oxide slurry

Breakwater, February by Fumino Ozeki

MF-004

44 × 88 cm

Fumino Ozeki · 2016

Raw urushi lacquer, tin powder, hemp cloth and burnt-clay ground over bentwood cypress; bengara red edge; thumb-polished with tin oxide slurry

Stage 4.12 by Bolaji Fagbemi

MF-005

404 × 158 cm

Bolaji Fagbemi · 2021

Cassava-paste resist and fermented indigo on hand-woven cotton strip cloth, stitched, on brass rod

Rain Column Empty by Bolaji Fagbemi

MF-006

168 × 384 cm

Bolaji Fagbemi · 2022

Cassava-paste resist and fermented indigo on hand-woven cotton strip cloth, stitched, on brass rod

Eugenio Apaza, 14 June by Ercilia Mamani Quisbert

MF-007

30 × 24 cm

Ercilia Mamani Quisbert · 2011

Wet-plate collodion on blackened aluminium, silver nitrate bath at twelve degrees, sandarac varnish; grease pencil on reverse; unique plate

Basilia Nina, North Wind by Ercilia Mamani Quisbert

MF-008

24 × 30 cm

Ercilia Mamani Quisbert · 2012

Wet-plate collodion on blackened aluminium, silver nitrate bath at twelve degrees, sandarac varnish; grease pencil on reverse; unique plate

Ninety-Two Centimetres by Marla Tregidga

MF-009

92 × 41 × 41 cm

Marla Tregidga · 2001

Coiled and paddled river clay with crushed pumice, ash and rutile glaze, iron slip, wood-fired to 1290°C over four days

Firebox End by Marla Tregidga

MF-010

79 × 124 × 63 cm overall, two jars

Marla Tregidga · 2006

Two coiled and paddled river-clay jars with crushed pumice, ash and rutile glaze, iron slip, wood-fired to 1290°C over four days, floor of the kiln beside the firebox

Nine Metres by Onésime Larivière

MF-011

214 × 76 cm

Onésime Larivière · 2015

Salvaged aquamarine insulator glass, porcelain insulator shards, Carrara marble offcuts, bottle glass and black basalt in acrylic-modified mortar on cement board

Ice Out 14 April by Onésime Larivière

MF-012

402 × 118 cm

Onésime Larivière · 2018

Salvaged aquamarine and bottle-green insulator glass, porcelain insulator shards, Carrara marble offcuts, bottle amber glass and black basalt in acrylic-modified mortar on cement board